JoanWrites

Review of "This Beautiful City

2011-02-01T09:20:00.000-05:00

Richmond Triangle Players strike a thought-provoking chord

With only a few days left in its run, “This Beautiful City” is a must see for anyone who enjoys a theatrical production that will not only make you laugh but will also start thoughtful conversations.

“This Beautiful City” is Richmond Triangle Players’ contribution to The Acts of Faith Festival. It epitomizes what the festival is all about – getting folks to talk and think about the subject being presented on stage.

The show was developed from numerous interviews with residents of Colorado Springs in 2006 when a state constitutional amendment defining marriage was up for vote. At the time, Colorado Springs was the unofficial capital of the evangelical movement with church leaders such as Ted Haggard and groups such as Focus on the Family.

The play looks at the religious and political atmosphere in Colorado Springs at the time, giving you the opportunity to think about what it means to be a Christian in today’s world.

Actors in the production play a multitude of characters, from a priest to a born-again Christian who was once a drug addict; from an economic development professional helping to build the evangelical movement to Ted Haggard, a powerful preacher who hid behind his secrets.

The company of actors is strong and talented. Each brings his or her multiple characters to life in a realistic and entertaining fashion. Particular standouts characters include Christy Mullins in her role as a zany born-again Christian, Tarnee Kendall Hudson as the new pastor at Emmanuel and Andrew Hamm as the writer of an alternative newspaper and as the RHOP leader. With that said, each member of the cast shines at one time or another during the production.

Whatever your religion or belief, “This Beautiful City” will make you realize that life is not as clearly defined as one would hope. As director, John Knapp, writes in his notes “It’s not all black and white.”

“This Beautiful City” runs through February 5 at Richmond Triangle Players.

Review of "The Foreigner"

2010-10-04T10:43:00.002-04:00

In its newest offering, “The Foreigner,” Swift Creek Mill Theater takes a lighthearted look at how we relate to people of other nationalities.

In the play, the foreigner is Charlie, a timid, boring man, who wants nothing more than to be left alone while he spends a few days at Betty Meeks’ Fishing Lodge in Georgia. He’s traveled from London with his friend Froggy who concocts the story that Charlie doesn’t speak English as a way to keep people from talking to him. Because they don’t believe Charlie can understand what they are saying, the guests at the lodge spill their darkest secrets in front of him, which leads to a whirlwind of events.

Even though there are serious undertones in the play, especially at the end, most of the action is playful and at times almost vaudevillian. The first act builds slowly as it sets the tone of the play.

The cast works well as an ensemble, playing off of each other with relative ease. Standouts include Jay Welch as Ellard, the younger brother of Catherine who is set to marry the secretive Rev. Lee. Ellard is thought to be slow on the uptake but proves he’s smarter than people realize. Welch draws on that assumption to elicit laughs. He is at his best when he attempts to teach Charlie the English language.

Michelle Black is quite comfortable in her role as the naïve Betty Meeks. Bill Brock takes on the nasty Owen Musser with conviction. James Rees brings swagger to the role of Froggy, a demolitions expert. Sarah Legere, who plays Catherine, delivers a solid performance as does Jonathan Hardison who plays Rev. Lee.

In his role as Charlie, Richard Koch owns the stage. In much of the play he has to rely solely on facial expressions and gestures to generate laughs. He has great fun imitating Ellard’s every move at the breakfast table and blurting out gibberish disguised as a foreign language. His comic timing is spot on throughout the play.

Director and scenic designer Tom Width is to be commended for his detailed, realistic lodge design. Joe Doran’s lighting adds to the show’s realism, as well.

“The Foreigner” is a fun evening with lots of hearty laughs. The show runs through October 23^rd.

Review of "Shipwrecked!"

2010-10-04T10:41:00.000-04:00

Anyone who loves listening to yarns will be pleased with the engaging storytelling in Barksdale Theatre’s new production of “Shipwrecked!” An Entertainment – The Amazing Adventures of Louis De Rougemond (As Told by Himself).

In the production, Louis takes the audience through the chapters of his life, living out adventures that often resemble the stories his mother read to him when he was a sickly child. At 16, he sets off on his adventure, befriending a surly sea captain who is off to find pearls in the Coral Sea. After a violent storm, Louis finds himself shipwrecked on an island with his canine companion. After a few years the two are rescued by Aborigines one of which becomes Louis’ wife. When he eventually returns to England, Louis writes his memoirs and is heralded as a hero until people begin questioning the validity of his story.

Joe Inscoe takes on the role of Louis with boundless energy, creating a convincing portrait of a man awed by the world around him. As he does in other roles, Inscoe gets to the soul of the character where he finds everything from childlike wonder to doubt. He also interacts with the audience in a comfortable way that fits into this incredible yarn quite nicely.

Inscoe is joined on stage by two actors – Carolyn Meade and Scott Wichmann – who play various roles. Meade moves from loving mother to a gruff sea captain to Louis’ Aboriginal wife with ease and quickness.

Wichmann draws the biggest laughs as Louis’ canine companion. His portrayal of the pooch is a close to the real thing as it gets. He nails the dog’s curious and puzzling expressions as well as its frenzied movements and natural panting. Wichmann is also a hoot as Queen Victoria and endearing as a young boy who finds disappointment in his hero.

Even though it’s sparse, Brian Barker’s set is extremely effective, especially the puppet-theater-style curtain that serves as a backdrop for behind-the-scenes action. The use of sound devices that are in eyesight of the audience and create everything from a crackling fire to a listing ship amplifies the storytelling aspect of the production.

“Shipwrecked!” is an entertaining yarn. The one-hour-and-45-minute intermission-less show feels a bit long but keeps your attention nevertheless. The show runs through October 24^th at Barksdale Theatre.

The Fantasticks

2010-08-25T14:41:00.002-04:00

The Fantasticks premiered Off-Broadway in 1960, a time of social revolution and new discoveries. On Aug. 19, the show was brought back to the stage by Cadence Theatre Company.

The plotline is simple, a neighboring boy and girl fall in love, believing their fathers would squelch any relationship between the two. In reality, their dads are plotting to have their son and daughter marry one another. Things go awry and at one point the two lovers take different paths. It’s not until they experience life that they discover what they have lost.

While many productions today are going grander in style and size, The Fantasticks relies on its simplicity to entertain. The sparse, only-the-essentials set and intimacy of the show works well in the new Richmond Triangle Players theatre.

The cast gels together quite nicely. Aly Wepplo and Billy Christopher Maupin bring energy to their roles as the idealistic lovers. Michael Hawke and Gayle Turner are fun to watch as the two dads who are as protective of their gardens as they are their children.

As El Gallo, a storyteller with a vested interest in the story, Russell Rowland is in prime vocal form. Steve Moore and Stephen Ryan play off of each other as the two stock actors.

While the actors in this production are very entertaining, the play itself feels a bit dated and lacking when it comes to character development. Except for the classic “Try to Remember,” the songs are ones that you probably won’t remember.

The Fantasticks has its appeal to many theatergoers – it ran for 42 years – but for me, this production gets its life from the actors not the play.

The Fantasticks runs through Aug. 28. For V for Women and Joan Tupponce.com, this is Joan with One Woman’s View.

Review of On Golden Pond

2010-08-16T08:23:00.000-04:00

Artistic Director Bruce Miller was smart to choose “On Golden Pond” for the summer slot at Barksdale Theatre at Hanover Tavern. The production is humorous and heartwarming.

The play focuses on an aging couple, Norman and Ethel, who spend their summers at their home on Golden Pond in New England. It deals with a variety of issues, everything from aging to acceptance. The play’s charm comes from its gentle mix of humor and sentimentality.

In their roles as Ethel and Norman, Kelly Kennedy and Joe Inscoe give the play life and believability. Their acting is honest, comfortable and heartfelt.

As Ethel, Kennedy shows compassion in dealing with Norman’s crony barbs as well as his deteriorating health. She skillfully portrays a woman who loves her husband even though the two have different ways of dealing with the uncertainty of the future. The energy she brings to the stage helps to diffuse Norman’s cynical attitude.

Joe Inscoe embodies the character of Norman, a crusty old man with a quick wit and guarded emotions. Inscoe is a master at slipping into the skin of a character and living in that skin during his time on stage. He exposes Norman’s loveable, more vulnerable side in his exchanges with 13-year-old Billy Ray, the soon-to-be stepson of Norman’s daughter, Chelsea. Even though Norman can be gruff at times, Inscoe gives the character a relatable and endearing quality.

Other solid performances include Jill Bari Steinberg as Chelsea, a daughter who must reconcile her feelings toward her father; Eric Pastore as Billy Ray, the youngster who gives Norman a new outlook on life as well as a new vocabulary; Frank Creasy as Charlie, the local mailman; and Andrew Boothby as Bill Ray, Chelsea’s soon-to-be husband.

Special mention also goes to Terrie Powers and David Powers who have created a set that is so cozy and realistic you feel as though you are sitting in Norman and Ethel’s living room alongside them.

“On Golden Pond” resonates with people of all ages. It is heartfelt, nostalgic and witty. It’s a fun evening at the theater. The show runs through August 29th.

For V for Women and JoanTupponce.com this is Joan with One Woman’s View.

The Empire Theatre comes alive with “The Sound of Music”

2010-05-18T11:18:00.000-04:00

Loyal fans of Rodgers and Hammerstein’s “The Sound of Music” are going to be thrilled with Barksdale Theatre and Theatre IV’s production of the classic musical.

The action takes place just before World War II when Austria was being taken over by the German regime. The story, loosely based on the real life von Trapp family singers, centers around Maria who is studying to become a nun. The Mother ABiss decides that Maria needs to figure out what she really wants out of life and sends her to serve as a governess to the von Trapp family. The seven children in the family grow to love Maria as does their father, Captain von Trapp. When it comes time for the family to leave their beloved Austria, they use their musical talents to help them escape.

Director Chase Kniffen has taken this beloved musical and given it new energy and charm. The show literally leaps off the stage, giving it a realism that draws you into the action. Kniffen has done a magnificent job of casting the play, a difficult task given the number of children that auditioned for the chance to be on stage. Although the show has a large cast, the stage never seems overcrowded or chaotic.

The realistic scenic design by Brian Barker which reflects not only the tradition and spiritual essence of the nunnery but also the richness of the von Trapp household coupled with Lynne Hartman’s artistic lighting designs adds to the realism and seamless ease of scene changes on the stage.

The talented cast in this production delivers a show that lives up to its stage and film predecessors. The singing talent is quite amazing. There isn’t a weak voice in the cast.

Jody Ashworth who plays Captain von Trapp delivers deep, rich vocals that resound throughout the theatre. Kara Harman is spot on in the role of The Mother ABiss. Her rendition of “Climb Every Mountain” will touch your soul.

Michael Hawke has delightful fun with his role as family friend, Max, as does Susan Sanford as Elsa, a woman who almost becomes the matron of the von Trapp family.

The young actors that play the von Trapp children are as cute as they are talented. The cuteness factor hits it height with Ellie Wilson as the young Gretl and Cooper Timberline as Kurt. All the young actors deliver solid vocals, especially Ali Thibodeau who plays 16-year-old Liesl. Her duet with love interest Matt Polson has a childlike lightness that is sure to bring a smile to your face.

With a cast as talented as this, it’s difficult for someone to steal the show but Stacey Cabaj comes very close to doing that. She is the epitome of Maria – gentle, fun-loving, determined and she can sing like an angel. The enthusiasm and honesty she brings to the role is as real as it gets. What a joy to watch.

“The Sound of Music” is the perfect family entertainment. It will make diehard fans of the musical stand up and cheer. The show runs through July 4 at the historic Empire Theatre.

For V for Women and Joan Tupponce.com, this is Joan with One Woman’s View.

Henley Street Theatre delivers a classic with a message

2010-05-18T11:13:00.002-04:00

The issues that “A Doll’s House” addresses are as relevant today as they were when Henrik Ibsen wrote the play in the 1800s.

The show, Henley Street Theatre Company’s current offering, is presented as part of The Minds Wide Open Festival. The play is set in a time when there was no equality in a marriage; a time when married women had few rights. The thought of a woman making her own choices in order to find self-fulfillment was absurd. In “A Doll’s House,” the lead character Nora leaves her children and husband to find her own voice. Because this notion was so outrageous at the time, Ibsen was asked to change the ending of the play to meet the social norm.

While the play addresses social stigmas that involve women, the messages it delivers – the importance of equality and becoming self-aware and, in turn, self-fulfilled – are universal.

Working with a newer translation of the play, Director Anna Johnson has successfully made the subject matter current and understandable.

Andrew Boothby plays Nora’s husband, Torvald, who thinks of his wife as a porcelain doll that could be easily broken if given too much freedom. His portrayal aptly reflects how the character sees Nora as a beloved possession that is unable to make independent decisions. Boothby picks up on the character’s inability to emotionally connect with his wife on an equal level.

Freddy Kaufman is delightful in his role as Dr. Rank, a family friend who secretly loves Nora. He has a commanding presence on stage that adds a lightness and honesty to the situation.

John Moon is convincing as Nils who desperately tries to hold onto his job by blackmailing Nora. Jolene Carroll falls into the role of Nora’s housekeeper and nanny with ease.

In her role as Nora, Jennie Meharg skillfully portrays both Nora’s naive childlike notions as well as her womanly need to learn more about herself and the world. Meharg expertly uses small subtleties – a nervous laugh, a rapid answer, an incomplete thought -- to make Nora’s uneasiness apparent.

Henley Street’s “A Doll’s House” is an entertaining, thought provoking production. The play runs through May 29. For V for Women and Joan Tupponce.com, this is Joan with One Woman’s View.

Radium Girls makes a statement

2010-04-04T15:10:00.002-04:00

The discovery of the effects of environmental hazards on humans is a strong storyline in courtroom dramas – think Erin Brockovich and A Civil Action. That same this-could-have-been-prevented theme holds true in Radium Girls now playing at Chamberlayne Actors Theatre.

The play, written by D. W. Gregory, is based on a human tragedy that played out in the 1920s and 1930s involving women who had worked in a New Jersey plant painting dials that would be used by the military in World War I.

The women didn’t they know their jobs would lead to physical suffering and an untimely death.

Gregory’s play takes the form of a dramatic documentary that will hold your attention and tear at your heartstrings.

Director Amy Berlin moves the action along through an effective use of vignettes instead of set changes that might slow down the pace. She gives her actors the latitude to draw out emotions that make this show believable.

All but two members of the cast play multiple roles, a great feat itself. Standouts in the cast include Tara Callahan who plays one of the doomed dial painters as well as four other characters and Alexandra Martin who takes on five roles as well. Each of these women gives depth and personality to the different characters.

Jonathan Hardison, who plays the understanding boyfriend of Grace as well as four other roles, and Jeff Clevenger, who takes on everything from a sleazy salesman to a scholarly scientist also give notable performances.

In his role as Roeder, the company president wrestling with the moral dilemma that plays out on stage, Bill Brock gives a very effective performance that aptly shows the character’s internal struggle.

Michele Morris who plays Grace one of the dial painters who helps expose the dangers of the plant is the star of the show. On opening night, her performance was tentative at first but gained momentum throughout the production and ended with a powerful statement. She skillfully took the character from a naive young girl to a sick, determined woman.

Radium Girls is an interesting production. On opening night there were several instances where actors seemed to either lose their dialects or confuse them when changing from character to character and there were also times in the beginning that seemed forced. However, the play will take you on an emotional ride that will have you contemplating the dangers that surround you.

Radium Girls runs through April 11th at Chamberlayne Actors Theatre. For V for Women and Joan Tupponce.com this is Joan with One Woman’s View.

Review of Pete 'n' Keely

2010-02-22T16:26:00.000-05:00

Bickering between onstage personalities isn’t that uncommon if you look back on television history – think Jerry Lewis and Dean Martin, Sonny and Cher. Their barbs can prove entertaining, especially when the two are a divorced couple who have been quarreling for years and are now getting back together for a one-night performance. That’s the comic set-up for Swift Creek Mill Theatre’s new production of “Pete ‘n’ Keely.”

The musical spins the tale of Pete Bartel and Keely Stevens, two singers who made it to the top of the charts as husband and wife. The two are back together again to tape a television special highlighting their career. The evening is supposed to be nostalgic, but the two keep tossing digs at each other.

Director Tom Width made a wise choice in casting two powerhouse singers – Robyn O’Neill and Russell Rowland – as the quarrelling duo. The show’s television production premise is quite effective. However, the pace in the first act seems a bit disjointed at times. It picks up in the second act where you’ll find more chemistry between the actors and heartier laughs.

The show’s charm lies in O’Neill and Rowland who belt out over 20 songs over the course of the production. As Pete, Rowland gives a solid performance along with spot-on vocals. His hilarious take on the song “Fever” is great fun to watch.

O”Neill is a delight as Keely. She gives a feisty performance that picks up on the anger that Keely has been holding onto for years. As far as her vocals, O’Neill never fails to give a top-notch performance.

Anyone who likes great singing coupled with a comedic premise will enjoy “Pete ‘n’ Keely.” It’s a lighthearted show that entertains.

“Pete ‘n’ Keely” runs through March 13th at Swift Creek Mill Theatre. For Joan Tupponce.com, this is Joan with One Woman’s View.

Review of The Grapes of Wrath

2010-02-22T16:24:00.000-05:00

Barksdale presents a classic

For its newest production, Barksdale Theatre has partnered with TheatreVCU to produce “The Grapes of Wrath.”

The adaptation of the Pulitzer Prize winning novel follows the Joad family’s forced relocation from Oklahoma’s Dust Bowl to the green, more fertile lands of California during one of the darkest, most disheartening times in America’s history. The play speaks not only to the plight of the Joad family but also to mankind’s struggle to deal with social and political injustices. It resonates more today than it would have five years ago when our economy was strong and steady.

Director Tawnya Pettiford-Wates quickly and effectively creates the play’s overall feeling of hopelessness. The slow strides of the background players and the not-so-subtle hints of desperation bring a sobering realism to the action on stage. Actors from the two theaters mesh together well, giving the play a unified feeling.

Charley Raintree gives a compelling performance as the country preacher who is searching for the faith he feels he has lost. He aptly portrays the preacher’s almost paralyzing state of self-doubt as well as his innate need to protect others.

Joseph Carlson gives a steely, energetic portrayal of the hot headed Tom Joad who is trying to hold his family together. Other solid performances include Michael Hawke as Pa Joad and Jai Goodman as Rose of Sharon who provides one of the most haunting images of the night.

The stand out in this production is Marta Rainer who turns in a solid, honest portrayal of a mother who is desperately trying to keep her faith and her strength in tact. Rainer’s acting is so genuine that she dissolves the line between actor and character.

Dennis Williams’ sparse-but-effective set works nicely with the creative lighting designs of Lynne Hartman.

If you are looking for a lighthearted evening of entertainment, “The Grapes of Wrath” is not for you. If you’re looking for a short play, this almost three hour production isn’t for you. The play is well acted and will leave you with a glimmer of hope that heartfelt generosity can always be found even in the toughest of times.

“The Grapes of Wrath” runs through March 21st at Barksdale Theatre. For V for Women and Joan Tupponce.com, this is Joan Tupponce with One Woman’s View.

Review of First Baptist of Ivy Gap

2010-02-22T16:22:00.000-05:00

Visit “First Baptist of Ivy Gap” for some warmhearted fun

The women of Ivy Gap who’ve gathered in the church meeting room at First Baptist have as much to learn about themselves as they do each other. Barksdale Theatre at Hanover Tavern’s current production of “First Baptist of Ivy Gap” introduces us to Luby, Olene, Mae Ellen, Edith, Sammy and Vera, who have come together to help the war effort and discuss plans for the church’s 75th anniversary.

As World War II comes to an end, the women of Ivy Gap talk about their fears as well as their dreams for the future while rolling bandages for the Red Cross. During their conversations, they spar, laugh, joke and reminisce. The lighthearted mood is interrupted when Sammy, a young girl from a neighboring county, shows up to help causing Luby, whose son is fighting in the war, to become distraught. There is also tension mounting between church organist Mae Ellen and Vera, a wealthy and high-ranking member of the congregation.

The play’s second act takes place 25 years later when the church is gearing up for its 100th anniversary and the Vietnam War is at its height. When the women finally get together once again, we learn of the choices they’ve made and the secrets they have been guarding.

When it comes to the ensemble cast, Director Bruce Miller couldn’t have made better choices. The ensemble is strong and talented. The interaction between characters feels genuine and spontaneous.

Each woman on stage brings her special talents to the production. Maggie Roop and Sarah Pruden who play Mae Ellen and Olene bring energy and humor to their roles. Their scenes together are some of the funniest in the show, especially when Olene reveals the path she’s taken since leaving Ivy Gap.

As Edith, the pastor’s wife, Jan Guarino is in her element. Her Pixie-like performance is fun to watch.

Harriett Traylor provides a solid performance as Vera as does Ali Thibodeau in her role as Sammy.

As Luby, a mother who can’t let go of her son, Joy Williams shines. Her emotional performance is first-rate.

“First Baptist of Ivy Gap” will warm your heart on a cold late winter night. It runs through March 14th at Barksdale Theatre at Hanover Tavern.

For V for Women and Joan Tupponce.com, this is Joan with One Woman’s View.

Review of "A Servant of Two Masters"

2010-02-02T16:16:00.000-05:00

Laugh it up at Henley Street Theatre Company

Anyone who is a fan of Abbott and Costello’s hilarious “Who’s on First” routine or the slapstick comedy of The Marx Brothers will get a hoot out of Henley Street Theatre Company’s current production of “A Servant of Two Masters.”

The play written in the 1700s is a form of commedia dell’arte, which sprang up in the 16th century and relied on improvisation. “A Servant of Two Masters” spins the tale of Truffaldino, a foolish servant caught in a scheme to serve two masters. The zany plot is filled with many comedic twists and turns that keep two pairs of lovers confused and apart.

Director James Ricks has pumped extra life into the plot by adding current nuances and references that spice up the production. He’s given the show a playful puppet-like feel through his use of masks, exaggerated make-up and whimsical movements. Ricks choice of staging artfully allows the actors to pop in and out of scenes as well as interact with the audience.

The play’s action takes place at a feverish pitch, especially when Truffaldino tries to keep his masters apart so neither discovers his scheme.

The ensemble cast skillfully plays off one another, providing solid and entertaining portrayals. There were a few performances that stand out. Christina Billew is very convincing in the role of the spoiled Clarice. Lyddall Bugg plays the bawdy servant who is intrigued with Truffaldino with a gusto that fits her character nicely.

The crown jewel in this play, however, is Richard Koch who plays Truffaldino with exuberance and skill. His high-spirited energy is as infectious as it is entertaining. He sprints across the stage with the ease of an acrobat and induces laughter with the expertise of a clever clown. On opening night even a misspoken line brought about a loud burst of laughter. Koch is perfectly cast for the role.

The play is enhanced by the colorful and creative costumes of costume designer Rebecca Cairns.

“A Servant of Two Masters” is a delightful farce that will keep you entertained from curtain up to curtain call. Its genius lies in its silliness. The laughter it evokes is something needed today. The play runs through February 13th at Henley Street Theatre Company.

Review of Bus Stop

2009-12-10T15:03:00.002-05:00

Personalities collide when five strangers converge on a small street-corner restaurant outside of Kansas City in Barksdale Theatre at Hanover Tavern’s latest offering Bus Stop.

The five travelers seek warm refuge in the restaurant after their bus has been stranded by a snowstorm. Elma and Grace, who work in the restaurant, do what they can to make everyone feel comfortable. As the strangers’ individual stories unfold, we see that each is a lost soul looking for some type of fulfillment.

The characters in Bus Stop develop at a gradual pace. The three-act show drags a bit in the beginning but gains momentum as it progresses.

The strangers that gather in the restaurant include everyone from a pretentious drunk to a love-smitten cowboy who forces a girl he’s just met to move to his home in Montana. As an ensemble, the cast seems at ease with each other which helps pull the story together.

Jacqueline O’Connor and Emily Bradner give noteworthy performances in their roles of Elma and Grace. Bradner is particularly delightful as the innocent Elma.

Michael Hawke as the sheriff and Bill Brock as the bus driver provide solid characterizations as does Christopher Dunn who plays the boastful, intoxicated Dr. Lyman.

In her role as small town nightclub singer, Cherie, Alia Bisharat gives an energetic performance that has the just the right amount of over-the-top enthusiasm.

Jonathan Conyers gives his all to the cowboy role of Bo Decker but in doing so often loses the depth of the character’s journey from an overbearing boy to a thoughtful man.

As Virgil, Decker’s older sidekick, Eric Williams turns in a charming portrayal that puts a human touch on the ever-changing situation at hand.

Special mention also goes to set designers, Terrie Powers and David Powers, for their charming and realistic set.

At its core, Bus Stop looks at the differing needs people have for human connection, from one night flings to lasting relationships. This thought provoking play shows how even strangers are interconnected in this world we live in.

Bus Stop plays through January 10th at Barksdale Theatre at Hanover Tavern. For Joan Tupponce.com, this is Joan with One Woman’s View.

Review of A Christmas Carol

2009-12-10T15:02:00.003-05:00

Anyone who has the “humbugs” this holiday season should seek out Theatre IV’s version of the Charles Dickens classic, “A Christmas Carol.”

The charming show plays homage to the familiar story of Ebenezer Scrooge and the Cratchit family but adds a new group of songs written by musical director Jason Marks.

Director Chase Kniffen has added an updated dimension to the legendary tale that reflects the characteristics of large Broadway productions such as “Beauty and the Beast.” In fact, one of the newly penned songs “Raise a Glass” is reminiscent of the fun song “Be Our Guest” from that popular Disney production.

Kniffen takes a different slant on the three ghosts that haunt Scrooge, creating characters that reflect everything from the ethereal innocence of youth to the ghostly fear of the future. The concept works well, especially with Kniffen’s spot-on casting and eerie special effects.

The show’s superb ensemble cast is a pure joy to watch. While there are too many talented cast members to single out, there were some standouts on opening night. David Janeski who plays Bob Cratchit and the ghost of Jacob Marley gives a skilled, convincing performance.

Eric Pastore who plays Scrooge as a boy and Cooper Timberline who plays Tiny Tim are both a delight. Their young voices are first-rate.

Christopher Stewart shows his magical talent as Scrooge as a young man and also the unearthly Tim Burtonesque character, the Ghost of Christmas Yet To Come.

As Ebenezer Scrooge, Joe Inscoe commands the stage. His honest, masterful interpretation is mesmerizing to watch. His interactions are genuine and in character at all times.

Kudos also to Greig Leach’s creative scenic design, Lynne Hartman’s effective lighting design and Sue Griffin’s phenomenal costumes that help create the characters.

Dickens would be proud of Theatre IV’s rendition of his legendary tale. It’s an entertaining evening that will take you back to your childhood and leave you with a warm, holiday feeling.

“A Christmas Carol” plays through December 20th at the historic Empire Theatre. For Joan Tupponce.com, this is Joan with One Woman’s View.

Review of Spelling Bee

2009-12-10T15:02:00.000-05:00

If you’ve ever watched a spelling bee, you know that the competition can become fierce. What you don’t know is that it can be downright hilarious if that particular Bee is The 25th Annual Putnam County Spelling Bee, an endearing musical now playing at Barksdale Theatre.

This little gem of a show takes you inside the minds of the Bee’s six young competitors as they spell their way to the top. This nerdy group of misfits deals with everything from the social stigmas that go hand-in-hand with middle school to the internal battles that are playing out in their tween heads and bodies.

Director Steve Perigard has obviously taken great care in his casting of the show, making wise choices along the way. He’s allowed the actors to add their own spin, resulting in a performance that is as genuine in heart as it is spirited and hilarious.

To pick out one standout from this talented musical cast would be impossible. Each brings something special to the production.

As Logan, a young pig-tailed feminist raised by two dads, Audra Honaker is a hoot. She uses not only her superb acting skills but also her improv talents to deliver a top-notch performance.

Matt Shofner hits the mark with his portrayal of the flighty-but-lovable Coneybear. His antics provide some of the funniest moments of the night.

Matt Polson who plays Chip also gets in on the fun during his amusing rendition of the song “Chip’s Lament.”

In his role as William Barfay, Eric Stallings expertly captures the character’s quirkiness as well as his fragile side.

As Marcy Park, an overachiever than can speak six languages, Yvonne Same shows Marcy’s frustration with her mandated quest for perfection.

As the modest Olive, Aly Wepplo turns in a strong, captivating performance that will win your heart.

Bee administrators, Rona and Mr. Panch along with the street smart Mitch, round out this delightful cast.

As the two quirky administrators, Debra Wagoner and Ford Flannagan skillfully demonstrate that geekiness doesn’t end in middle school. In his role as Mitch, who hands out juice boxes and hugs to the losing contestants, William Cortez turns in a talented, mesmerizing vocal performance.

Barksdale’s lobby and theater also take a role in the show. Banners and tongue-in-cheek posters adorn the walls making it look more like a high school gym than a performance venue.

Kudos also go to scenic designer, Ron Keller, for a terrific set that adds depth to the show.

Part of the allure of this production is watching the cast adapt to the audience members who have been chosen to be part of the Bee. Their participation results in hilarious improv.

The 25th Annual Putnam County Spelling Bee is a sassy, witty, heartfelt show that is not to be missed. It will warm your heart and light up your spirit this holiday season. See the Bee.

Spelling Bee runs through January 17th at Barksdale Theater. For Joan Tupponce.com, this is Joan with One Woman’s View.

Review of Greetings

2009-12-10T15:01:00.000-05:00

Coming home for Christmas can be a stressful situation, especially if you’re introducing your family to your new fiancé. That’s the predicament Andy Gorski is facing in Greetings, Swift Creek Mill Theatre’s latest offering.

Andy’s apprehension stems from the fact that his fiancée, Randi, is Jewish and an atheist. He’s not sure how this news will go over with his conservative Catholic parents and his beloved mentally challenged brother, Mickey. As it turns out, Andy’s visit not only sparks controversy but also evokes a spiritual awakening that brings the family closer together.

As a whole, the actors in this production create a comfortable ensemble on stage that flows well throughout the show.

Richard COOK jumps into his role as Andy with energy and enthusiasm. He skillfully demonstrates the nervous tension that his character is experiencing.

Holly Timberline’s honest interpretation of Randi shows a hint of vulnerability regarding the character’s beliefs. She provides a good sparring partner for Phil, Andy’s father.

In her role as Emily Gorski, Randi’s mother, Jody Smith Strickler moves effortlessly from one emotion to another. Her nurturing instincts and comic timing are spot-on.

John Moon plays Andy’s curmudgeon father, Phil, who on the surface appears grouchy and quick tempered. Moon’s clever performance allows Phil’s tender side to bleed through his tough exterior.

As Mickey, Paul Deiss turns in a powerful performance that highlights both Mickey’s innocence and wisdom. His stand-out characterization is believable and honest.

Greetings is a fun, new-age type of play with an age-old message that will warm your holiday season.

Greetings runs through January 2nd at Swift Creek Mill Theatre. For Joan Tupponce.com, this is Joan Tupponce with One Woman’s View.

My mistake

2009-11-13T11:52:00.000-05:00

I'm a people pleaser so I never like to make mistakes. The thing is I'm human as well so occasionally things happen. Apparently on my recent review of Firehouse Theatre Project's "This Is How It Goes" I mistakenly reversed the names of the two male characters. I do apologize to the theatre and to the two actors. Below is the review with the right information.

Firehouse Theatre Project embraces cutting-edge productions and their latest offering “This Is How It Goes” fits into that category quite nicely.

Written by Neil Labute, this play-within-a-play broaches both the subjects of racism and relationships. Labute’s cynical take on these issues points out the moral flaws in each of the main characters. He crams a lot of components into this 90-minute production, everything from a fight scene using strobe lighting to a somewhat skewed version of happily ever after.

When we meet the narrator, he is explaining his relationship with the play’s two other characters – his high school classmates, Cody and the Woman. The narrator has secretly had a crush on the woman since high school. She is now married to Cody who was a high school jock. The narrator walks back into their lives as their marriage is crumbling.

Throughout his narration, the Man steps in and out of the action. His comical asides act to deflect the ethical issues playing out on stage. He forewarns the audience not to trust everything they see or hear. That sage advice comes just moments before several unexpected twists and turns.

As an ensemble, the cast works together well as they skillfully deal with issues such as infidelity and deceit.

In his role as the husband, Tyhm Kennedy aptly draws from the character’s anger and resentment to present a self-absorbed man who seems to always be on the verge of some type of outburst.

As the wife, Laine Satterfield gives a strong, honest performance as her character wrestles with the decisions that face her.

Fred Iacovo is perfectly suited to the role of narrator. He steps in and out of narrator mode with ease and finesse. His comic timing is fine-tuned.

If you enjoy avant-garde theater, “This Is How It Goes” will satisfy your theatrical appetite. For those that may be rattled by language that falls in the politically incorrect category, the play may be uncomfortable to watch.

The premise is interesting, the acting is solid and the reality of the subject matter is tangible in today’s world, however, the play pushes boundaries that may be offensive to some people.

“This Is How It Goes” plays through Nov. 21st at Firehouse Theater. For Joan Tupponce.com this is Joan Tupponce with One Woman’s View.

Rainy day in Washington

2009-11-13T11:40:00.000-05:00

I should have posted this yesterday but was catching up with work after traveling to Washington, DC on Wednesday to attend a presentation on the new ship that Disney Cruise Lines is launching in 2011. The ship is currently being built in Germany but it's going to have lots of Pixie dust magic on board when it sets sail for the Bahamas in 2011. It will be Disney's largest ship to date. More to come on that in a later blog.

Thankfully I didn't have to fight the traffic or the rain as my friend Nancy took on those behind-the-wheel duties. We dodged the raindrops for lunch at a new DC restaurant, Kellari Taverna. I really enjoyed the hummus that accompanied our bread as well as my jumbo shrimp entree. Nancy was more than pleased with her choice of lamb -- some of the best she's ever had. I was surprised that the restaurant was as crowded as it was at lunch given the fact that it was pouring outside and it was a Federal holiday.

The one good thing about attending a meeting at the Mayflower in DC is the fact that it's right across from Filene's Basement. You gotta love their prices. A cashmere sweater for $39 is right up my alley. We also stopped by the Crate & Barrel in the northwest part of town.

Thanks to listening to WTOP we avoided a jack-knifed truck, an overturned car and a car that had a mishap with a deer and we made it home all in one piece. You can bet I'll tune in from now on -- I had never listened to that channel so thanks Nancy for turning me on to it.

Roanoke and Avenue Q

2009-11-10T15:17:00.000-05:00

Last Friday I went to Roanoke to preview Avenue Q for Richmond magazine. It was the first time in years that I had been to that area of Virginia. I stayed at Hotel Roanoke and had a really great meal in the Regency Room. I had their signature crab cake and Reggie had a filet. Both were excellent. I was shocked at the size of the huge crab cake. It was enough crab to feed a family of four and it was all jumbo lump crab. I was equally impressed with the service in the restaurant. Everything there was top-notch. I would highly recommend it to anyone going to Roanoke, even if you don't stay at the hotel.

It was interesting watching the crowd at the Roanoke Civic Center. In Richmond, most of the people that attend the theater are 35 and older, at least that what it looks like to me when I'm in the audience. I was surprised to see that half of the folks at the Roanoke show were 35 and under. From the buzz going around at intermission, it seems like everyone was having a good time.

Just in case you didn't get to see the post on Richmond magazine's blog, here's my review .